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三滴血
2025 8.0分 剧情片
<p>  三,是家的最小单位。血脉,是维系家庭的纽带。然而,三个素不相识的人却被命运交织在一起!<br/>  善恶难辨的男人“驯鹿”,身怀六甲的女人李棋,哑巴男孩冰棍,三人假扮成一家人,游走于猎物与猎人之间,暗流已至,生死一瞬,一个关于家族式人口贩卖的黑暗链条逐渐浮出水面!</p>
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(情歌)
2025 7.0分 剧情片
<p>&nbsp;被突然的任命令从东京派遣到海外工作的研究员·想太(森崎温 饰),在曼谷与学生时代一直暗恋的凯(向井康二 饰)再会。看到在泰国作为摄影师兼音乐人活跃的凯的身影,内心产生了动摇。另一方面,小凯也对学生时代唱过的“未完成的歌”感到惊讶。将两人联系在一起的歌声再次在心中响起……</p>
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草莓月亮
2025 4.0分 剧情片
<p>&nbsp;本片改编自同名小说。樱井萌(当真亚美 饰)从小体弱多病,无法上学,也没有朋友,每天独自度过时光。她一直有一个小小的梦想——在自己生日那天,与喜欢的人一起观赏据说能让恋人永远相守的六月满月“草莓月亮”。然而,15岁那年冬天,她被告知生命所剩无几。 从医院回家的路上,萌邂逅了命中注定的人,并下定决心进入高中就读。入学典礼当天,她在初次见面的情况下,向同班同学佐藤..
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岁岁平安
2024 4.0分 剧情片
<p>&nbsp;暴雨将至,轰隆隆的声音夹杂着人群的呼喊声砸向操场,正在参加小学田径比赛的唐平安重重的摔倒在地面,当母亲李枚赶到医院时,医生却给了再生一个孩子做骨髓移植的建议,李枚怔怔的站在深不见底的楼道,像是对她过去十几年最好的惩罚,故事从这里开始。十几年前,李枚在计划生育政策下为了生二胎,不得不将襁褓中的女儿岁岁远送他乡亲戚,不料几年后,渐渐成熟的岁岁却成了猥琐养父趁女儿..
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一秒
2026 6.0分 剧情片
<p>&nbsp;在新疆无垠的静谧雪原上,一个逃离都市的年轻女孩,与一个将回忆锁进信笺的孤独老人,意外成为彼此的“临时家人”。他们一个学着与过去和解,一个学着向未来敞开,在极致纯净的天地间,共同写就一封关于温暖、陪伴与重新开始的冬日治愈诗篇。</p>
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浴血蒋家河口
2025 10.0分 剧情片
<p>&nbsp;蒋家河口战役打响了新四军抗战的第一枪,也是新四军挺进敌后打伏击的第一仗。此役以少克众,以弱胜强,孤军深入,出奇制胜,给了嚣张跋扈、不可一世的日本侵略者一个结结实实的下马威,极大地鼓舞了中国军民的抗战斗</p>
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《不安分的年轻人们》剧情介绍

天天影视提供影视作品不安分的年轻人们高清全集在线观看的影视全集网,剧情片《不安分的年轻人们》全集作品的导演是马塞尔·卡尔内   ,由帕斯卡尔·普缇  安德丽·帕里西  雅克·夏里尔  洛朗·特兹弗  让-保罗·贝尔蒙多  达妮·萨瓦尔  主演,不安分的年轻人们在豆瓣的评分为6.0,本片由小编于2026-01-31 00:00更新,希望大家喜欢,可以把《不安分的年轻人们》推荐给你朋友,本作品的地址为 https://www.g2hr.com/g2/43100.html

《不安分的年轻人们》简介:  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic&#39;s only dream is to own a luxury car, and with Bob&#39;s help, she manages to find the money to but it. Mic&#39;s friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné&#39;s earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean&#39;s films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné&#39;s treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo&#39;s breakthrough had to wait until the following year when he starred in Jean-Luc Godard&#39;s revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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